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Italian Neorealism
Italian neorealism emerged in post-war Italy, around the late 1940s.
The Italian film industry during World War Two was having a difficult situation; Benito Mussolini's fascist dictatorship restricted the imports of films produced in hostile countries, such as Hollywood films. The exports of Italian films were also limited.
After the liberation from the dictatorship, the Italian filmmakers explored the unique film-making style which was apart from Hollywood.
As a result, neorealist films emerged as a contrasting category in films; it rejects unrealistic, dreaming stories and sheds light on human reality.
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Location filming
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Nonprofessional actors
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Avoidance of ornamental mise-en-scene
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Natural light
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Freely-moving documentary style of photography
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Avoidance of complex editing & post-production processes (so that avoid contrivance)
The neorealist films in Italy are characterized by their focus on ordinary, everyday Italians, especially working-class people. Filmmakers emphasize the visual truth of such a group of people.
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Bicycle Thieves is the corner-stone in the film arts; it arose from the rejection of existing film-making and nationalistic fascist-era cinema.
As a result, it contributed to the establishment of neorealism - a new category in film history.
Resources for this page
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Key West Video. "Neorealism: Exemplified by Bicycle Thieves." https://www.keywestvideo.com/corporatevideoblog/neorealism-bicycle-thief/ Accessed 5 Feb. 2020.
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Roger Ebert. "The Bicycle Thieve / Bicycle Thieves." https://www.rogerebert.com/reviews/great-movie-the-bicycle-thief--bicycle-thieves-1949 Accessed 5 Feb. 2020.
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Shiel, Mark. Italian neorealism: rebuilding the cinematic city. Columbia University Press, 2006.
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